 凝視墟塵 ——田芳芳個(gè)展 主辦方：悅·美術(shù)館 出品人：王飛躍 策展人：彭鋒 展覽開幕時(shí)間：4月9號(hào)15:00 展覽時(shí)間：4月8號(hào)-18號(hào) 展覽地點(diǎn)：悅·美術(shù)館A、B廳 展覽地址：北京市朝陽(yáng)區(qū)酒仙橋路2號(hào)798藝術(shù)區(qū)797路B06號(hào)  《凝視墟塵》AR視頻(局部圖) 此次展覽ARFFTTart團(tuán)隊(duì)成員：田芳芳 劉志超 劉志敏 安博博 呂雅利 劉書慈 贊助4個(gè)AR眼鏡Nreal品牌公司 前言 積淀與升華 田芳芳一直在尋找一種方式，來表達(dá)自己的文化意識(shí)和生存感受。她從油畫出發(fā)，經(jīng)過壁畫、雕塑、綜合媒介，走向AR影像、虛擬現(xiàn)實(shí)、增強(qiáng)現(xiàn)實(shí)…… 田芳芳對(duì)文化特別有興趣，或許因?yàn)檠芯窟^壁畫和考古，她對(duì)文化的認(rèn)識(shí)不是表面的。在她眼里，任何表面的文化現(xiàn)象背后都積淀著豐富的內(nèi)容。心理學(xué)家榮格據(jù)此認(rèn)為，人的意識(shí)深處，有一種集體無意識(shí)。盡管我們無法意識(shí)到集體無意識(shí)，但它卻在我們的精神活動(dòng)中扮演著重要作用。美學(xué)家李澤厚用它來解釋我們的形式美感，我們之所以覺得某些抽象的形式有意義，是因?yàn)樗鼈兪菑木呦蟮膱D騰中慢慢演化出來的，抽象的形式中積淀了具體的情感。田芳芳從中看到的是生命的無常和渺小，無論多么偉大和頑強(qiáng)的生命，最終都將化作塵埃，積壓成為無法辨認(rèn)的集體無意識(shí)�，F(xiàn)實(shí)何嘗不是如此呢?如果說歷史是時(shí)間的積壓，現(xiàn)實(shí)更有空間的擠壓和心理的壓力。不知道是歷史的積壓意識(shí)喚醒了生命的擠壓意識(shí)，還是生命的擠壓意識(shí)喚醒了歷史的積壓意識(shí)，田芳芳對(duì)壓力有一種特別的認(rèn)識(shí)，這成為她藝術(shù)創(chuàng)作的動(dòng)力。 “哪里有壓迫，哪里就有反抗!”這是我們熟悉的一條毛主席語(yǔ)錄，它可以概括田芳芳的藝術(shù)的某種特征。田芳芳要表達(dá)一種從積壓中升華出來的感覺，無論壓力多么沉重，無論生命多么渺小，創(chuàng)造都未曾臣服。借助擠扁的人體及其優(yōu)雅的姿態(tài)，或許田芳芳想表達(dá)的是，只有經(jīng)過擠壓，生命才能迸發(fā)出力量，瞬間的美才能升華為永恒。 策展人:彭鋒 北京大學(xué)藝術(shù)學(xué)院院長(zhǎng) Preface Accumulation and Sublimation Tian Fangfang has been searching for a way to express her cultural awareness and feelings. She started from oil painting, went through murals, sculptures, and comprehensive media, and moved towards AR imaging, virtual reality, augmented reality. Tian Fangfang is particularly interested in cultures, perhaps because she has studied murals and archaeology. Her understanding of culture is not superficial. In her opinion, there is a rich accumulation of contents behind any superficial cultural phenomenon. Psychologist Carl Jung believes that there is a collective unconsciousness in the depths of human consciousness. Although we cannot be aware of the collective unconsciousness, it plays an important role in our spiritual activities. Aestheticist Li Zehou uses it to explain our sense of beauty in form. The reason why we think certain abstract forms are meaningful is that they slowly evolve from concrete totems, and concrete emotions accumulate from abstract forms. Tian Fangfang finds the tininess and impermanence of life from them. No matter how great and tenacious one man's life may be, it will eventually turn into dust and accumulate into an unrecognizable collective unconsciousness. Isn't reality like this? If history is the accumulation of time, then reality is more squeezed by space and psychological pressure. We don't know whether the accumulation of history awakens the squeezing consciousness of life, or the squeezing consciousness of life awakens the accumulated consciousness of history. Tian Fangfang has a special understanding of stress, which becomes the driving force of her artistic creation. "Where there is oppression, there is resistance! " This is a familiar quote from Chairman Mao Zedong, which can summarize a certain characteristic of Tian Fangfang's arts. Tian Fangfang wants to express a feeling of sublimation from accumulation. No matter how big the pressure is, and no matter how tiny life may be, her arts creation has never surrendered. With the squashed human body sculptures and their elegant postures, what Tian Fangfang wants to express is that life can unleash its full strength only going through the stess, and an instant beauty can be sublimated into eternal beauty. Curator: Peng Feng The Dean of the School of Art, Peking University 部分作品展示Some works show 《凝視墟塵系列》展覽現(xiàn)場(chǎng)圖片 On-site photos of the exhibition "Staring at the Dust in the Market Series"      《凝視墟塵系列》創(chuàng)作概述 人與自然的生存環(huán)境被后工業(yè)時(shí)代破壞擠壓，詩(shī)意浪漫被現(xiàn)實(shí)擠壓，人性自由被禁錮擠壓，女性被生育擠壓，被環(huán)境污染擠壓被社會(huì)擠壓被自己擠壓，變形再變形變成浪漫的形體，外表擠壓變形，內(nèi)里保持著優(yōu)雅浪漫的骨，不管在怎樣的環(huán)境下希望依然能擁有詩(shī)意優(yōu)雅浪漫，悲創(chuàng)的優(yōu)雅的廢墟，揭示了人類生存的困境，作者荒誕抽象的人山相融的水泥雕塑作品，展示了環(huán)境與人的關(guān)系是生死與共的，在后工業(yè)時(shí)代科技快速發(fā)展中擠壓，一個(gè)時(shí)代埋葬另一個(gè)時(shí)代，隨著科技的更迭開啟了新的虛擬時(shí)代的到來，作品水泥雕塑創(chuàng)作結(jié)合MR技術(shù)(用AR技術(shù)增強(qiáng)補(bǔ)充現(xiàn)實(shí)雕塑效果的技術(shù)叫MR技術(shù))用虛擬AR科技解放被現(xiàn)實(shí)擠壓的空間，呈現(xiàn)出虛擬空間的海市蜃樓的場(chǎng)景。 虛擬AR科技把被現(xiàn)實(shí)擠壓的生命在虛擬空間中得到了延續(xù)和永生，絢爛的生命在慢慢消失人類文明終將變成浩瀚宇宙的塵埃。 Overview of the Creation of Gazing at the Dust Series Man and environment are squeezed by the destruction of the post-industrial era, poetic romance is squeezed by reality, and human freedom is squeezed by confinement. Women are squeezed by childbirth,environmental pollution, society, and squeezed by themselves. They are deformed and re-deformed into romantic forms. They are squeezed and deformed on the outside but maintaining elegance and romance on the inside, hoping to still have poetic elegance and romance no matter what the circumstances. The ruins of a sadly created elegance reveal the plight of human existence. The author's absurdly abstract concrete sculptures of man and mountain merging together demonstrate that the relationship between environment and man is one of life and death. Environment and human are squeezed in the rapid development of technology in the post-industrial era, with one era burying another. A new virtual era emerges as technology changes. The work cement sculpture combined with MR technology (the technology that augments the effect of real sculptures with AR technology is called MR technology) liberates the space squeezed by reality with AR technology, presenting a scene of a mirage in virtual space. The virtual AR technology perpetuates and immortalises the life squeezed by reality in the virtual space, where the splendid life is slowly disappearing and human civilization will eventually turn into the dust of the vast universe.  《當(dāng)代風(fēng)景墟塵系列三》 材質(zhì)：水泥綜合材料 長(zhǎng)130cmX高70cm厚35cm 2023年 "Dust Series 3 of Contemporary Scenery Market" Material: cement comprehensive material Length 130cmX height 70cm thickness 35cm2023  《當(dāng)代風(fēng)景墟塵系列二》材質(zhì)：水泥綜合材料 長(zhǎng)152cmX高100cm厚40cm 2023年 "Dust Series 2 of Contemporary Scenery Market" Material:cement comprehensive material Length 152cmX height 100cm thickness 40cm2023  《當(dāng)代風(fēng)景墟塵系列一》 材質(zhì)：水泥綜合材料 長(zhǎng)170cmX高86cm厚52cm 2023年 "Dust Series 1 of Contemporary Scenery Market"Material:cement comprehensive material Fei yue mei mu Length 170cmX height 86cm thickness 52cm2023  《當(dāng)代風(fēng)景墟塵系列七》 材質(zhì)：水泥綜合材料 長(zhǎng)160cmX高95cm厚20cm 2023年 "Dust Series 6of Contemporary Scenery Market" Material:cement comprehensive material Length 160cmX height 95cm thickness 20cm2023  《當(dāng)代風(fēng)景墟塵系列六》材質(zhì)：水泥綜合材料 長(zhǎng)170cmX高180cm厚50cm 2023年 Contemporary Landscape Ruins Dust Series 7" Material:cement comprehensive material Length 170cmX height 180cm thick 50cm2023 雕塑是用水泥紅磚塊制作而成，水泥是后工業(yè)時(shí)代的標(biāo)志產(chǎn)物也是伴隨著創(chuàng)作者成長(zhǎng)也是人們隨處可見的材質(zhì)，水泥材質(zhì)具有一定的社會(huì)公共屬性，用水泥制作的人和山的形象相融合，人和山都有許多殘破的地方都用紅色磚塊制作而成，比喻被擠壓破壞后漏出鮮紅的血肉，表達(dá)后工業(yè)時(shí)代人與自然社會(huì)環(huán)境之間的關(guān)系的探索，山的形象來自莫高窟唐代山水壁畫獲得創(chuàng)作靈感。用AR眼鏡掃描現(xiàn)實(shí)雕塑群可以看到虛擬空間中，8件水泥雕塑從原始的灰塵幻化成泥土然后幻化成為山又幻化為人最終變成塑雕作品，植物在雕塑破損的地方生長(zhǎng)纏繞，然后植物隨著雕塑破裂而慢慢變枯萎，雕塑崩塌然后碎片散落一地又幻化為泥土變成灰塵飄向星空。想要表達(dá)環(huán)境和人的生存環(huán)境是一體的同生共滅，一切人類文明在歷史的長(zhǎng)河里終將變成塵埃。虛擬AR技術(shù)增強(qiáng)了現(xiàn)實(shí)雕塑空間，豐富了雕塑的內(nèi)容表達(dá)。思考人類文明與公共空間之間的關(guān)系。 The sculpture is made of cement red bricks. Cement is a product of the post-industrial era and a material that has grown up with its creator and can be seen everywhere. The cement material features certain social and public, and the figures of man and mountain made of cement blend together. Both man and mountain have many broken parts, and both are made of red bricks, metaphorically bright red flesh and blood after being crushed and destroyed, expressing the exploration of the relationship between man and the natural social environment in the post-industrial era. The image of the mountain was inspired by the Tang Dynasty landscape murals in the Mogao Caves. Scanning the real sculptures with AR glasses reveals a virtual space where the eight concrete sculptures transform from dust into clay, then into mountains, then into people, and finally into sculptures. Plants grow and entwine around the broken sculptures, then slowly wither as the sculptures break down and collapse. The pieces of sculptures are scattered and transformed into dirt and then dust that drifts into the stars. The sculpture is an expression of the fact that the environment and human existence are one, and that all human civilization will eventually turn into dust in the long history. The virtual AR technology enhances the real sculpture space, enriches the content expression of the sculpture and contemplates the relationship between human civilization and public space.  《當(dāng)代風(fēng)景系列》材質(zhì):綜合材料 50x50cm 2021年 Contemporary Landscape Series" Material: comprehensive material 50x50cm2021  《當(dāng)代風(fēng)景系列》材質(zhì):綜合材料 80X80cm 2021年 Contemporary Landscape Series" Material: comprehensive material 80X80cm 2021  《當(dāng)代風(fēng)景系列》材質(zhì):綜合材料 60X50cm 2021年 Contemporary Landscape Series Material: Comprehensive Material 60X50cm 2021  藝術(shù)家布展圖片 Artists exhibit pictures 藝術(shù)家簡(jiǎn)介  田芳芳 畢業(yè)于中央美術(shù)學(xué)院本科、研究生 個(gè)人展覽 2014年 《無處存在》卡斯泰羅925畫廊 威尼斯意大利 《疑路花開》名泰空間青年100畫廊 北京中國(guó) 2021年《從泥土到塵�！分醒朊佬g(shù)學(xué)院 重要展覽簡(jiǎn)歷 2023年《迎新春軍博新征美術(shù)作品收藏展》中國(guó)人民革命軍事博物館 北京 2022年《慶祝中國(guó)人民解放軍95周年全國(guó)美術(shù)作品展覽第15屆全軍美術(shù)作品展》中國(guó)美術(shù)館 北京2021年新視點(diǎn)中國(guó)青年藝術(shù)家優(yōu)秀作品展 毛里求斯中國(guó)文化中心 非洲 中國(guó)青年優(yōu)秀作品邀請(qǐng)展 中外文化交流中心 馬來西亞 2020年 當(dāng)代青年+藝術(shù)展海外巡展 中外交流中心 悉尼 2019年 當(dāng)代青年+藝術(shù)展海外巡展,中外文化交流中心羅馬尼亞 參加建國(guó)70周年第十四屆全軍美術(shù)作品展 第十三節(jié)全國(guó)美展第四屆全國(guó)壁畫大展 河南美術(shù)館 中國(guó) 青年藝術(shù)+優(yōu)秀作品海外巡展 首爾 韓國(guó) 《孤獨(dú)的少年》土耳其美術(shù)館 卡拉奇 土耳其 《凈化-中國(guó)當(dāng)代藝術(shù)邀請(qǐng)展》葡萄牙東方博物館 西班牙 2018年 青年藝術(shù)+優(yōu)秀作品海外巡展斯德哥爾摩 瑞典 《尋源 》雷伊斯國(guó)立美術(shù)館 葡萄牙 《夏之夢(mèng)》保利巡展 北京·中國(guó) 2017年 一帶一路主題系列-穿越 中國(guó)文化中心曼谷 泰國(guó) 巴西雙年展-青春敘事 巴拉那州庫(kù)里提巴 巴西 東京博覽會(huì) 東京·日本 2016年 The Migration of Fission 巴黎法國(guó) 《左西右東》中美文化交流展 酒泉博物館 甘肅 中國(guó) 青年藝術(shù)家推廣計(jì)劃年度大展 當(dāng)代藝術(shù)文獻(xiàn)展 北京 2015年 international artists Christmas Exhibition 柏林 保利“藝起來”國(guó)際藝術(shù)博覽會(huì) 山水美術(shù)館 北京 中國(guó) 保利十年慶典之夜 現(xiàn)當(dāng)代藝術(shù)部 農(nóng)業(yè)展覽館 北京 2014年 《萬(wàn)物生》中國(guó)美術(shù)館 北京 中國(guó) 《寫實(shí)與觀念》南通美術(shù)館 江蘇 中國(guó) 《寫實(shí)與觀念》多倫美術(shù)館 上海 中國(guó) 2013年 《敦煌靈感當(dāng)代中國(guó)藝術(shù)的再創(chuàng)》華美協(xié)進(jìn)社中國(guó)美術(shù)館 紐約 美國(guó) 上海青年美術(shù)大展 中華藝術(shù)宮 劉海粟美術(shù)館 上海·中國(guó) 藝術(shù)100 青年藝術(shù)家推廣計(jì)劃 北京、深圳、上海、香港 2012年 《造型十年》中央美術(shù)學(xué)院美術(shù)館 北京 中國(guó) 獲獎(jiǎng)證書： 2020年獲得中國(guó)文聯(lián)青年文藝創(chuàng)作計(jì)劃項(xiàng)目立項(xiàng) 2019年獲得國(guó)家藝術(shù)基金青年藝術(shù)家創(chuàng)作計(jì)劃項(xiàng)目立項(xiàng) 2016年《尋源系列》獲得國(guó)家藝術(shù)基金-英才計(jì)劃青年藝術(shù)家推廣計(jì)劃 2013年《萬(wàn)物生》獲得2013上海青年美術(shù)大展新星獎(jiǎng) 《萬(wàn)物生》獲得明圓藝術(shù)教育優(yōu)秀青年藝術(shù)家獎(jiǎng) 2012年《尋源》獲得銀獎(jiǎng) 今日美術(shù)館 2007年《青春系列》獲得二等獎(jiǎng) 中央美術(shù)學(xué)院 期刊：《中央美院上世紀(jì)五六十年代壁畫臨摹研究活動(dòng)紀(jì)略》中國(guó)美術(shù)報(bào) 作品收藏: 中央美術(shù)學(xué)院美術(shù)館,上海劉海粟美術(shù)館,今日美術(shù)館,山東省美術(shù)館,濟(jì)南市美術(shù)館,中國(guó)人民革命軍事博物館,紐約華美協(xié)進(jìn)社中國(guó)美術(shù)館,德國(guó)柏林美術(shù)館,意大利卡斯泰羅美術(shù)館等。 Tian FangfangGraduated from the Central Academy of Fine Arts. Solo Exhibitions In 2014 Nowhere" Casterot 925 Gallery Venezia Italia Ning Lu Hua Kai Mingtai Space Youth 100 Gallery Beijing ChinaFrom dirt to dust, Central Academy of Fine Arts, 2021 Resume of important exhibition China People's Revolutionary Army, 2023 "Welcome to the New Year's Military Blog and New Collection Exhibition of Art Works"Museum of Things Beijing In2022 Celebrating the 95th anniversary of the China People's Liberation Army, the 15th National Art Exhibition. Art Exhibition, China Art Museum, Beijing. In 2021 New Viewpoint China Young Artists Excellent Works Exhibition MaojiaqiusiChina Cultural Center Africa China Youth Excellent Works Invitational Exhibition Chinese and Foreign Cultural Exchange Center Malaysia the year of 2020 Contemporary Youth+Art Exhibition Overseas Tour Chinese and Foreign Exchange Center Sydney 2019 Contemporary youth+art exhibition overseas tour, Romania, China-foreign cultural exchange center, participated. The 14th Art Exhibition of the Whole Army in the 70th Anniversary of the Mission. Section 13 National Art Exhibition The 4th National Wall National Exhibition China, Henan Art Museum Youth Art+Excellent Works Overseas Tour Seoul Korea Lonely Boys Turkish Art Museum Karachi Turkey Purification-China Contemporary Art Invitational Exhibition Portuguese Oriental Museum Spanish the year of 2018 Youth Art+Excellent Works Overseas Tour Stockholm Sweden" Seeking the Source" Reyes National Art Museum Portugal the year of 2018 Youth Art+Excellent Works Overseas Tour Stockholm Sweden" Seeking the Source" Reyes National Art Museum Portugal Summer Dream Poly Tour Exhibition China, Beijing the year 2017 The belt and road initiative Theme Series-Crossing China Cultural Center, Bangkok, Thailand Brazil Biennale-Youth Narrative Curitiba, Parana, Brazil Tokyo Expo Tokyo Japan the year of 2016 The migration of fisheries Paris France" Left West and Right East" Sino-US Cultural Exchange Exhibition Jiuquan Museum China, Gansu Annual Exhibition of Young Artists Promotion Program Contemporary Art Literature Exhibition Beijing In 2015International artists Christmas exhibition Berlin Poly "Yiqi" International Art Fair Shanshui Art Museum China, Beijing. Poly Ten Years Celebration Night Agriculture Exhibition Hall of Modern and Contemporary Art Department Beijing In 2014 Life of Everything, China Art Museum, China, Beijing Realism and Concept Nantong Art Museum Jiangsu China Realism and Concept Duolun Art Museum Shanghai China In 2013 The Re-creation of Contemporary China Art Inspired by Dunhuang; The China-America Association entered the China Art Museum. About America Shanghai Youth Art Exhibition China Art Palace Liu Haisu Art Museum Shanghai China Art 100 Young Artists Promotion Program Beijing, Shenzhen, Shanghai and Hong Kong In 2012. Ten Years of Modeling Art Museum of Central Academy of Fine Arts China, Beijing. Honorary award certificate: In 2020, it was approved by the China Federation of Literary and Art Circles Youth Literary and Art Creation Project. Honorary award certificate: In 2020, it was approved by the China Federation of Literary and Art Circles Youth Literary and Art Creation Project. In 2019, he was approved by the National Art Foundation's Young Artists Creation Plan Project. In 2016, "Seeking the Source Series" won the National Art Foundation-Talents Program Youth Art.Home promotion plan In 2013, "Life of Everything" won the New Star Award of the 2013 Shanghai Youth Art Exhibition. "Life of Everything" won the Outstanding Young Artist Award in Mingyuan Art Education. In 2012, "Seeking the Source" won the silver prize, Today Art Museum. In 2007, Youth Series won the second prize of Central Academy of Fine Arts. Periodical: History of mural copying research activities in the 1950s and 1960s of the Central Academy of Fine Arts. China Fine Arts News. Honorary collection of works: Central Academy of Fine Arts Art Museum, Shanghai Liu Haisu Art Museum, Today Art Museum. Shandong Province. Art Museum, Jinan Art Museum, China People's Revolutionary Military Museum, new york Huamei Association. China Art Museum, Berlin Art Museum and Casterot Art Museum. The goods were collected and awarded the honorary certificate of collection. |
