(y) P(gun)ע ИI(y) C(j)(gu) ^(gun) ҕl

۽

™Ŀ ۽ Ј(chng) u(png)Փ

չӍ | ʢ硷ڱ¡Bek

(li)ԴЇ(gu)ˇg(sh)YӍW(wng) ߣС ˚⣺ l(f)r(sh)g2019-11-18

--ˇ/g(sh)/¡/--

ʢ

— r(sh)

Blessing of Art, Feast--the creator of time

չˣ(gu)x

Curator : Godwin Liu

W(xu)g(sh)֣ꐕԷ

Academic Chair : Chen Xiaofeng

߄f

Planner : T.K. Daniel ChuangWang Jinjie

y(tng)IS

Coordinator : Cocoa Huang

--չˇg(sh)--

ꐑcc ꐁ x (gu)x ˮ ϵ ־ κꂥ 򾴖| O A | _(d)

Chen Qingqing / Chen Yafeng / Ding Wu / Fang Lijun / Godwin Liu / Liu Shuiyang / Meng Luding / Pang Yongjie / Qi Zhilong / Ren Hongwei / Shen Jingdong / Sun Chu / Zhang Chunhua / Zhang Dongchu / Mark Cheung

VIP_(ki)Ļ2019.11.24գ

չ[(dng){Ո(qng)23ǰA(y)sӛ(chng)

_(ki)Ļc(din)¡BŌ¡Ļ

չ[r(sh)g : 2019.11.24 - 12.26

SiSYEˇg(sh)g

չ[c(din) : ¡Bһ

Opening ceremony : 3:00 pm, Sunday, 24 th November 2019

Location: floor 9, LongFu Mansion , 95 LongFuSi street, Dongcheng District, Beijing

Exhibition : 24th November, 2019--26th December, 2019

Location: Ground floor, Sisye Art Space, LongFu mansion, 95 LongFuSi street, DongCheng District, Beijing

Photo ©¡

kλϣаۮ(dng)ˇg(sh)޹˾

չ[(gu)HѾBiͩP•(l)F(tun)ϱc“ħɭ”(l)F(tun)Liartplace ˇg(sh)㘷(l)SiSYE GALLERY

¡ˇg(sh)֮m(x)(xi)ƪ

// Light cone +Bow tie+Champagne glass+Fire works //

F+I(lng)Y(ji)+㙉+

(dng)ˇg(sh)ڕr(sh)gдԽc`

ǰ | PREFACE

“ʢ”һָˮ(dng)ˇg(sh)҄(chung)ĻʽĄ(chung)¸߶һ[c(hu)ʹc(din)

չ[ʮλ(dng)ǰڸˇg(sh)(chung)I(lng)ȡóɾͺӰҪˇg(sh)

@һή(dng)ˇg(sh)ƷC͵ˇg(sh)(dng)ͬr(sh)ǿˇg(sh)Ļʢ

ˇg(sh)(chung)Ĺͨڰˇg(sh)Č(du)Ԓ(hu)A(ch)÷Ļ(hu)r(sh)y(tng)c(chung)£(g)cǶM(jn)˷eOĽcؑ(yng)ɴ@Щˇg(sh)҄(chung)˶ӻˇg(sh)ΑB(ti)ҲOµķŴˇg(sh)Ȧ(hu)r(ji)ֵS

cr(sh)ͬУԼˇg(sh)cr(sh)ˇg(sh)^(gun)ʽWI(lng)ĺ^(gun)ĽǶϿһ(g)r(sh)hˇg(sh)ĕr(sh)Π΢^(gun)ČBµW(xu)L(fng)ͻ׃˴󱊌(du)J(rn)֪Ǖr(sh)

The interpretation of "Blessing of Art" : on one hand, it signifies the high level of the artworks of this contemporary art exhibition; on the other hand, it metaphors the human and spiritual needs in this society.

This exhibition collects the wonderful artworks of over ten influencial and famous artists.

This activity offers people not only many fancy artworks of art stars, but also a fantastic meeting of crossover communication.

They creating their works all based on similar culture, society, fashion and tradition; interwaving with their personal emotions and lifes. Therefore, the plurism of the artworks enlarges the social value of our art circle.

They are not only working in this current; but also leading the current and the value of art. From the macro perspective, they creat the space-shape of vanward art of era; from the micro perspective, they breakthrough the perceive of aesthetics. They are the creators of this era.

W(xu)g(sh): ꐕԷ

// Academic chair: Xiaofeng Chen

g: S

// Translation: Cocoa Huang

ˇg(sh) | ARTISTS


 

ꐑcc // Chen Qingqing

Ů(d)ˇg(sh)

F(xin)ڱfˇg(sh)^(q)

(g)չ

2019 “ccZ(y)”ꐑccbˇg(sh)չ798ˇg(sh)^(q)̫ˇg(sh)

2019 “ccò^” ꐑccƷO(sh)չfg(sh)^

2018 “---ò^” ꐑcc(g)չϺ܎ˇg(sh)

2018 “ϽzZ(y)” ꐑccƷչ(dng)ˇg(sh)^

2015 “ò^”ccböʮ꣬Ԫg(sh)^

2012 “ccbˇg(sh)չ” g(sh)^

2009 “Ͽһ(mng)ccbƷչ” ܎ˇg(sh)

2008 “ccԢ”ل(l)(hu)

2005 “798ĺטǣccbƷչ” ɽˇg(sh)^(q)

2005 “ccbƷչ”|(hu)ȣձ|

ꐑcc / Chen Qingqing(b.1953)

õض

2019 (sh)ab

39x30x3cm

ꐁ // Chen Yafeng

ȺxϾˇg(sh)W(xu)Ժ

ՎW(xu)g(sh)W(xu)Ժо

F(xin)ν̰W(xu)Ժˇg(sh)O(sh)Ӌ(j)W(xu)Ժ

F(xin)ڱf

Ⱥչ

2019 ެF(xin)g(sh)؄eչn(gu)ȫݵg(sh)^

2018 · 0n Paper Supremeu

2017 n(gu)ɽƵ격[(hu)ɽ_(ti)Ƶ

2015 g(sh)ʷ|ˇg(sh)^

2013 ɵĺЇ(gu)(dng)ˇg(sh)չձ|

2005 (gu)(gu)Hˇg(sh)Ո(qng)չ(gu)

2004 Ї(gu)(dng)ˇg(sh)Ո(qng)չm¹ص

2003 Ї(gu)ͮ(hu)չЇ(gu)g(sh)^

2001 32õ‡(gu)(gu)Hˇg(sh)չ‡(gu)

1997 Ї(gu)ͮ(hu)չЇ(gu)g(sh)^

1995 K(hu)20չϾԺ

1994 ڶ Ї(gu)ͮ(hu)չЇ(gu)g(sh)^

1993 Ї(gu)ͮ(hu)pչЇ(gu)g(sh)^

1992 Ї(gu)ͮ(hu)ˇg(sh)չڄ(dng)Ļm

ꐁ / Chen Yafeng (b.1962)

L(fng)ϵ5

2018Cϲ

240X40cm

// Ding Wu

ڱ

ЌW(xu)r(sh)M(jn)Dž^(q)mg(sh)A(ch)

1983ꮅI(y)ڱйˇg(sh)W(xu)Уg(sh)ϵ

1984ڱ132ЌW(xu)(dn)Ό(zhun)I(y)g(sh)ώ

1985ošɞЇ(gu)һuL(l)

Ї(gu)ؽٓuL(l)ߺ_(ki)(chung)

1988ꄓ(chung)Ƴ(l)(du)^(gu)(zhun)݋

(mng)ƳxTʿâ̡

2018l(f)Լ׏(g)˸(zhun)݋һ

(g)չ

2010 “—''(hu)”ծ(hu)/m(hu)

2012 “ƒ—䂀(g)չ”|(hu)

2018 “һ“Ħ

/ Ding Wu (b.1962)

F

2011 ͮ(hu)

130x180cmx2

x // Fang Lijun

1963124գںӱʡ

1989I(y)g(sh)W(xu)Ժ残(hu)ϵI(y)ɞšI(y)(hu)

Ҫ(g)չ

2009 “֮—x(chung)25չ·Ұһ

—1963-2008xīI(xin)nչ”_(ti)_(ti)g(sh)^

2009 “x̺+{(ln)”Ơ£Ơg(sh)^‡(gu)

2009 “xr(sh)g(xin)”VݣV|g(sh)^Ї(gu)

2010 “x”g(sh)^ Ї(gu)

2011 “x——ķ̖(ho)”g(sh)^ Ї(gu)

2012 “ͻ——x(g)չ”ż_(d)CP(hu) ӡ

2012 “x——ƶ˵đ”`GAMg(sh)^

2013 “̎——xƷչ”˹Rm 

2014 “ The New Body of Work by Mr. Fang Lijun 1963 ”

ART & PUBLIC–CABINETP.H, Ճ(ni) ʿ

2016 “(li)棺xָоչ”g(sh)^hЇ(gu)

2016 “x^(q)”մɲ^Ճ(ni)ʿ

2016 “R(sh)x”g(sh)^hЇ(gu)

2017 “һ(g)˵ˇg(sh)ʷ——x”F(xin)g(sh)^Ї(gu)

2017 “g”h܎Ї(gu)

2019 Fang Lijun—Facial Recognition, ȸ(hu)ϤĴ

x / Fang Lijun (b.1963)

2017

2017 ľ̰残(hu)

80x60cm

(gu)x // Liu Guoyi

1974ڰջϣF(xin)ӱ

A|ͨW(xu)(dng)ˇg(sh)cͨ^(gun)O(sh)Ӌ(j)оԺоT

ʡg(sh)f(xi)(hu)(hu)TV|g(sh)f(xi)(hu)(hu)T

Ї(gu)(dng)ˇg(sh)f(xi)(hu)(hu)T

(g)չ

2012 “옷(l)o(w)ϵƷչ” f

2014 “`Եͻ” 798(gu)H(hu)

2015 “(mng)Խ” fˇg(sh)ҷ(w)

2016 “(mng)o(w)” V늾ƵꡫTʿ(gu)H㘷(l)

2018 “(mng) ” Ȫ(gu)Hˇg(sh)

2018 “(gu)xͮ(hu)չ” 798g

2018 “(gu)x(hu)չ” ژʯˇg(sh)^

2018 “Ҋ(jin)c}(dng)(gu)xͮ(hu)չ” V|ɽdzˇg(sh)^

2019 “īo(w)b——īϵƷչ” Ӟg(sh)^

(gu)x / Godwin Liu (b.1974)

ϵ֮1

2016 ͮ(hu)

180x120cm

ˮ // Liu Shuiyang

1974 ɽ|ʡ

2001 I(y)AW(xu)g(sh)W(xu)Ժϵ

F(xin)ӱ

(g)չ

2019 “Ӌ(j)”“ˮ|(zh)”ˇg(sh)(sh)(yn)(xing)Ŀ

2019 “•——̾ϵƷչ”81g(sh)^

2018 (hu)ʽˮƷչfīI(xin)^Ї(gu)

2017 “ƽ——ˮ(g)չ”Ї(gu)

ˮ / Liu Shuiyang (b.1974)

2017 hľ

700cm

ϵ // Meng Luding

1962ںӱУ漮ͨ

1987I(y)g(sh)W(xu)Ժͮ(hu)ϵ

ͬУ(zh)g(sh)W(xu)Ժͮ(hu)ϵĮ(hu)

1990xڵ‡(gu)˹Շ(gu)g(sh)W(xu)Ժ

F(xin)νg(sh)W(xu)Ժͮ(hu)ϵ宋(hu)

ʿ(do)

Ⱥչ

2010 “ϵij” Ї(gu)g(sh)^

2011 “¾——Ї(gu)(dng)ˇg(sh)չ” Ĵ(gu)Ҳ^Ĵ

2011 “ϵij”21o(j)Ї(gu)ˇg(sh)չ _RЮ(dng)g(sh)^

2012 “o(w)֮ΩЇ(gu)(dng)ˇg(sh)չ”2012Ї(gu)Ļˇg(sh), ‡(gu)

2013 “¾——Ї(gu)(dng)ˇg(sh)չ” R׵¶ſ

2015 “Ї(gu)ˇg(sh)оչ” g(sh)^

2015 “——µ\(yn)(dng)",Ϻ21o(j)g(sh)^

2015 “” ʥˇg(sh)

2016 “Խʽ”Ї(gu)ˇg(sh)оչ gg(sh)^

2016 “f(wn)ˇg(sh)^_(ki)^չ” hW(xu)f(wn)ˇg(sh)^

2017 “}(dng)—Ї(gu)(dng)ˇg(sh)չ”W˹~Ү^

2017 “ɽ˶—(dng)Ї(gu)g(sh)cԊ(sh)”ϺAˇg(sh)m

2017 “Ї(gu)— ČЇ(gu)ͮ(hu)չ”g(sh)^

ϵ / Meng Luding(b.1962)

ɰ2

2018 SV|(zh)ɫ

145x145cm

// Pang Yongjie

1968ɽ||

1990ꮅI(y)ɽ|W(xu)g(sh)ϵ

19911993g(sh)W(xu)Ժ

F(xin)סšI(y)(hu)

(g)չ

2000 ‡(gu)h(g)չ

2002 m¹صPROVOOSTJ(hu)Ȃ(g)չ

2003 r(sh)l(wi)Ղ(g)չ

2015 Fabrik Gallery(g)չ

2018 _(ti)̘“А(i)”(g)չ

2019 ɽˮg(sh)^܂(g)չ“\Ӌ(j)”

/ Pang Yongjie (b.1968)

ᷤϵ-9

2019 ˮī

70x70cm

־ // Qi Zhilong

1962 ڃ(ni)ɹźͺ

1987 I(y)g(sh)W(xu)Ժ残(hu)ϵ

(g)չ

2009 “߅—־İ˼ͮ(hu)Ʒ”~sAW Asia(gu)

2009 ־残(hu)չ~s˹残(hu)(hu)(gu)

2009 ֮صйӡ(gu)g(sh)^ż_(d)ӡ

2007 ־Ʒչ—_၆g(sh)^_၆ϣD

2006 ־—Ʒʩ(hu) ɭ ‡(gu)

2005 ־ ل(l)(hu) Ї(gu)

2004 ־ ծ(hu) R ʿ

2002 ־ ·˹(hu) Ϥ Ĵ

1999 Ф—Ї(gu)Ů ل(l)(hu)  Ї(gu)

1994 M(fi)—־IJˇg(sh) ل(l)(hu)  Ї(gu)

־ / Qi Zhilong

֮

2019 ϩ

260x210cm

κꂥ // Ren Hongwei

1999ꮅI(y)BT(mn)ˇg(sh)W(xu)Ժ/܌(zhun)I(y)

F(xin)ڏBT(mn)ͱڼF(tun)ˇg(sh)O(jin)

(g)չ

2009 “X(ju)˼” 798ˇg(sh)

2013 “ȻԵ_ͻ” 7983(hu)

2016 “(dng)ʢ”ϺϲR

2017 “2——Ԓ(hu)”(dng)ˇg(sh)^

2018 “˳”?yn)IĻ/С(zhn)ɳ

κꂥ / Ren Hongwei (b.1975)

Դ(dng)

2017 ~ Ͱ

215x76x65cm

򾴖| // Shen Jingdong

1965 Ї(gu)KʡϾ

1984ꮅI(y)ϾfW(xu)Уg(sh)

1991ꮅI(y)Ͼˇg(sh)W(xu)Ժg(sh)ϵ残(hu)(zhun)I(y) @ڪ(jing)W(xu)

1991-2009Ͼ܊^(q)βǰ(xin)ĹF(tun)_(ti)g(sh)

F(xin)ڹڱϾ

(g)չ

2019 ˇg(sh)·O(sh)Ӌ(j)·ңF(yng)tP

2019 򾴖|(li)ˣ肀(g)չ

2019 򾴖|@~s(g)չ) ~sЇ(gu)ˇg(sh)^

2019 򾴖|һΣ˹(g)չ

2018 һ·ϣڇ(gu)L(fng)ˇg(sh)^)

2018 ϵ(yng)W(xu)g(sh)cO(sh)Ӌ(j)W(xu)Ժg(sh)^

2018 Ͼl(f)Ͼg(sh)^

2018 õ--򾴖|(g)չݵخ(hu)ȣ

2017 ñ|ˇӛһһ򾴖|īI(xin)չf(dng)ˇg(sh)īI(xin)չ

2017 (gu)HЦ򾴖|(g)չ(gu)Rm_˹g(sh)^

2017 򾴖|£ɽW(xu)ػʍu) 2016ꌦ(du)Ԓ(hu)F(yng)tP)

2016 (gu)HЦ 򾴖|(g)չn(gu)ɽ

2016 Ї(gu)¾(gu)~sdˇg(sh)ģ

2016 o(w)ğo(w)^ 򾴖|+̽pչ(gu)~s׺ˇg(sh)ģ

򾴖| / Shen Jingdong (b.1965)

ɽ(jng)֮

2019 ͮ(hu)

80x100cm

O // Sun Chu

ҕX(ju)ˇg(sh)/O(sh)Ӌ(j)

ΡVISIONҕX(ju)s־ҕX(ju)O(jin)16(li)(jin)ˇg(sh)cO(sh)Ӌ(j)ɷNʽcͨһlֱ(xin)ăɂ(g)c(din)xɣǴ͸

ڌOĽڄ(chung)پڂy(tng)ˮīҎ(gu)tͳʽnjҕX(ju)ˇg(sh)뵽ˮīL(hu)Ӱ(sh)(yn)(dng)УnjԴVISIONO(sh)Ӌ(j)(sh)`һЩ(gu)ֶκ͈D_(d)Ľ(jng)(yn)\(yn)õL(hu)zӰ(dng)(du)ˮcī֮gӻ̎ʽŵcF(xin)ìD(zhun)QһIJϑ(yng),(sh)(yn)ˮīһN֮gˇO(sh)Ӌ(j)cL(hu)֮gě_ͻcںĶγ˟o(w)֮ҕX(ju)(d)еҕX(ju)ӱ

O / Sun Chu (b.1966)

٬F(xin)(sh)ˮīVϵ

2016 zӰ (sh)΢ݔ

120x160cm

A // Zhang Chunhua

1976 ڰ

Ⱥxg(sh)W(xu)Ժ

׶W(xu)g(sh)W(xu)Ժ TʿW(xu)λ

F(xin)ڱ

(g)չ

2018 ӛһN—A(g)չˇg(sh)}(cng)(k)

2013 r(sh)g֮—A(g)չg

A / Zhang Chunhua (b.1976)

r(sh)

2016 ͮ(hu)

100x80cm

| // Zhang Dongchu

ˇg(sh) (d)zӰF(xin)ӱf

Ⱥչ

2015 ƽʢ-ƽˇg(sh)ʹ߈F(tun)(du)Wˇg(sh)չ

2015 ˇg(sh)δ(li) 2015ɽڶÇ(gu)Hˇg(sh)[(hu)V|ɽ

2015 Ї(gu)_(ti)g(sh)չҕX(ju)ˇg(sh)pչ798g(sh)^

2016 “Ļɽ*(chung)ؑc”2016ؑc(gu)Hˇg(sh)(ji)

2016 (hu)׌Ç(gu)Hˇg(sh)pչ

2016 ˇg(sh)pչվһg(sh)^

2016 аĮ(dng)ˇg(sh)pչĴ

2017 ?yn)I(gu)Hˇg(sh)̩_(d)(dng)ˇg(sh)^

2017 f(gu)HzӰpչfнݮ(dng)g(sh)^

2018 r(sh)ӡE F(xin)(chng)ˇg(sh)(chung)g(sh)^

2018 ̩_(d)(dng)ˇg(sh)^

2019 ʮČЇ(gu)(gu)HĻ(chung)a(chn)I(y)[(hu)

2019 Ї(gu)(gu)Hչ[

2019 2012-2019|Ӱfg(sh)^

2019 fӛf(gu)g(sh)^

| / Zhang Dongchu (b.)

СR

2018 (sh)΢ݔ

(hu)о59x84cm

// Zhang Fangbai

1991I(y)g(sh)W(xu)Ժͮ(hu)ϵĹ

1991-1995νں(yng)W(xu)Ժ

1995-2001νg(sh)W(xu)Ժͮ(hu)ϵ

2001-2018νڱΌW(xu)Ժˇg(sh)ϵ

F(xin)νA|W(xu)g(sh)W(xu)Ժ

(g)չ

2018 —ׂ(g)չ/Ʋ·¾Sϣ^/‡(gu)

2018 —ׂ(g)չ/Wِ(hu)/‡(gu)

2017 ͬ(g)չ/(h)g/

2014 ׂ(g)չ (k)H(hu) ˹D ‡(gu)

2013 (chng)g(sh)^L(zhng)ɳЇ(gu)

2013 ͮ(hu)չGALERIE PHILINE CREMER򣯵‡(gu)

2011 (d)ˇg(sh)ģЇ(gu)

2008 ˇg(sh)չJ.BASTIEN(hu)ȣr(sh)

2007 Aģ׵磯ɯ·ϣDˇg(sh)^ m

2005 ·ͮ(hu)չ˹ˇg(sh)^

1991 ͮ(hu)չg(sh)W(xu)Ժ(hu)ȣЇ(gu)

/ Zhang Fangbai (b.1965)

2019 ͮ(hu)

200x150cm

_(d) // Mark Cheung

ˇg(sh) bO(sh)Ӌ(j)

(gu)HЇ(gu)g(sh)҅f(xi)(hu)ϯ

r(sh)bO(sh)Ӌ(j)f(xi)(hu)u(y)ϯ

W(xu)(sh)(hu)о(hu)ˇg(sh)(wn)

W(xu)Ļоcl(f)չоT

AW(xu)g(sh)W(xu)Ժ

_(d)·bO(sh)Ӌ(j)ԺԺL(zhng)

(g)չ

1991 V|ʡɽв^ek_(d)ˮī(hu)չ

2003 AW(xu)g(sh)W(xu)Ժek“ږ|”_(d)bˇg(sh)չ

2005 Vg(sh)W(xu)Ժg(sh)^ek“_(d)ˮīչ”

2007 AW(xu)g(sh)W(xu)Ժ๦܏dek“_(d)ͮ(hu)չ”

2008 (qun)Ĵdek“_(d)ˇg(sh)չ”

_(d) / Mark Cheung (b.1963)

עҕ05

2011 Ͳ

180x180cm

_(ki)ŕr(sh)gܶ10:00-22:00

c(din)¡Bһ

Location: Ground floor, Sisye Art Space

LongFu mansion, 95 LongFuSi street

DongCheng District, Beijing

؟(z)ξ݋С