 5月26日下午三點，一〇一藝術(shù)空間“圖像的縫隙”邢彥超個展隆重開幕。來自全國各地的藝術(shù)家、策展人、收藏家、企業(yè)家、設(shè)計師等多個行業(yè)和領(lǐng)域的百余位知名人士共同參加開幕儀式。   “圖像的縫隙”集中呈現(xiàn)了藝術(shù)家邢彥超近兩年的創(chuàng)作作品，邢彥超出身于山東藝術(shù)學(xué)院油畫專業(yè)，后在中央美術(shù)學(xué)院研讀壁畫。積淀于專業(yè)藝術(shù)院校的功底和學(xué)識為他在藝術(shù)技術(shù)層面的發(fā)展奠定了厚實基礎(chǔ)，但他似乎并不愿意滿足于此，近期創(chuàng)作尤其是2017至2019年之間的新作，沒有桎梏于單一繪畫材料，而是采用水墨綜合材料來呈現(xiàn)，并在“失焦”的圖像中確立自己的表達(dá)方式，這便是邢彥超個展《圖像的縫隙》生成的契機(jī)。  策展人李書天說：“彥超依舊保持著堅守藝術(shù)創(chuàng)作的初心，且執(zhí)拗的前行著；在如此社會中，這一點對自我藝術(shù)的執(zhí)拗甚至已成為令很多人艷羨的幸福。” 展覽將持續(xù)至6月20日。 EXHIBITION SITE 展覽現(xiàn)場            
PREFACE
前言 文/李書天 Yanchao did not come to Henan for a long time, his eyes under myopic lenses seemed to shine wisely all the time. I met Yanchao under the introduction of my friend and slowly became familiar with him and his works. 彥超兄來河南不久，近視鏡片下的眼睛似乎一直散發(fā)著睿智的光芒；在友人的介紹下認(rèn)識，才慢慢的熟悉了彥超和他的作品。 Through the Deconstructing and reconstruction of classical images, Yanchao's works construct their own unique language features. There are some elusive metaphors in his works, and I was fascinated the first time I saw the electronic versions of these works. I was so fond and curious about the special temperament in Yanchao's works that as soon as I heard that he had a new work, I urged him to let me have a look at it. 彥超的作品通過對經(jīng)典圖像的解構(gòu)與再造，構(gòu)建了自我獨特的語言特征。作品中有一些難以捉摸的隱喻在內(nèi)，第一次見到這批作品的電子版時便深深的吸引著我。因為喜歡和好奇著彥超作品中的特殊氣質(zhì)，以至于聽說到他一有新作就催著他讓我一睹為快。 After knowing each other for a long time, the chat between me and brother Yanchao was no longer formal. After a deep chat with brother Yanchao, I found that his knowledge and cognition were very extensive. When I talked with him for a few hours, there was no feeling of tiredness. 認(rèn)識久了一些，我與彥超兄之間的聊天也不再拘謹(jǐn)。與彥超兄深聊后發(fā)現(xiàn)他的知識面與認(rèn)知竟是十分廣博，每次天南海北的聊幾個小時卻沒有一絲累的感覺。 Yanchao always creates at home. On several occasions when we ate near his house, he said the house was so messy that he was sorry to show me around. Once Yanchao sent me WeChat, I roughly saw what his home looked like in the video: on the wall, on the table, the ground was full of works and creative tools, a little messy, but I thought it was good. On second thought, creation has filled up all the time outside of his basic working life. 彥超兄基本在家中創(chuàng)作，幾次在彥超家附近吃飯，他都說家中實在太亂，不好意思帶我去參觀。一次彥超給我發(fā)微信才從視頻中大概看到他家里的樣子，墻上、桌子上、地上堆滿了作品和創(chuàng)作工具，高低錯落略有雜亂，我卻覺得煞是好看。細(xì)一想，創(chuàng)作已經(jīng)占滿了彥超基本工作生活外的所有時間。 “All things delightful are gratifying enough t please people. If it is not enough to change a people, it would be better book and painting.”Yanchao still adheres to the original heart of artistic creation, and stubbornly moves forward. In such a material society, this stubbornness to self-art has even become the envy of the happiness that many people envy. “凡物之可喜，足以悅?cè)恕６蛔阋砸迫苏�，莫若書與畫。”彥超兄依舊保持著堅守藝術(shù)創(chuàng)作的初心，且執(zhí)拗的前行著；在如此社會中，這一點對自我藝術(shù)的執(zhí)拗甚至已成為令很多人艷羨的幸福。 EXHIBITION WORKS 展覽作品  Announce Image報曉圖NO.11 Ink On Paper紙本水墨 52×36cm 2017  Co-bath Group Painting Sequence Nine: Dialogue 共浴組畫序列九：對話 Ink On Paper紙本水墨 200×160cm 2016  Co-bath Group Painting Sequence Six 共浴組畫序列六 Ink On Paper紙本水墨綜合材料 54×180cm 2015  Guanhutun關(guān)虎屯 Ink On Paper紙本水墨 30×40cm 2019  Fruit果實 Ink On Paper紙本水墨 30×40cm 2019  Fantasy Image 幻戲圖 Ink On Paper紙本水墨綜合材料 148×60cm 2018  Forbidden Fruit禁忌的果實 Ink On Paper紙本水墨 30×40cm 2019  Recitation朗誦 Ink On Paper紙本水墨 166×207cm 2016  Let The Mother Be A Mother 讓母親成為母親 Ink On Paper紙本水墨 30×40cm 2019  Life And Growth生生 Ink On Paper紙本水墨 30×40cm 2019  Icon圣象 Ink On Paper紙本水墨 30×40cm 2019  The Origin Of The World 世界的起源 Ink On Paper紙本水墨綜合材料 66×160cm 2017  Whether the rabbit is not important, the solution does not explain does not matter 是不是兔子不重要，解不解釋無所謂 Ink On Paper紙本水墨綜合材料 135×154cm 2018  Great Stone 偉大的石頭 Ink On Paper紙本水墨 30×40cm 2019  The Star of Wisdom文曲星 Ink On Paper紙本水墨 30×40cm 2019  The Starry Sky星空 Ink On Paper紙本水墨 30×40cm 2019  A Good Chess 一招好棋 Ink On Paper紙本水墨綜合材料 145×135cm 2018  Barrier Method障眼法 Ink On Paper紙本水墨 30×40cm 2019  Executive Portrait 執(zhí)掌者肖像 Ink On Paper紙本水墨 82×192cm 2016 Exhibition Comment 展評 Zhang Qibin（Doctor of Fine Arts） 張啟彬（美術(shù)學(xué)博士） Beuy's behavioral art directly points to two aspects of the development of contemporary art. One is that art no longer depends on objective objects but becomes a tool for tracing the real world, just as after the birth of photography, the reproduction and recording function of artificial image is greatly weakened. On the other hand, the idealization of artistic images is becoming more and more developed, from Marcel Duchamp's Dada concept of <urinal> to Andy Warhol's pop thinking, which provides a new way for the generation of artistic images by subverting and reshaping realistic scenes and images. Like the word "Unfocused" in the photography technology, art creation pulls away from a kind of objective world, which might becomes another dimension of view with its significant. "Unfocused" in reality life with the classic image, the artist Xing Yanchao has discovered new possibilities from his "unfocused" situation, which has embodied the image structure reconstruction and metaphor world construction in his ink painting art. 博伊斯的藝術(shù)表達(dá)直指現(xiàn)當(dāng)代藝術(shù)發(fā)展的兩個方面，一是藝術(shù)不再依附客觀外物而成為描摹現(xiàn)實世界的一種工具，正如攝影術(shù)誕生之后，人工制作圖像的再現(xiàn)與記錄功能被大大弱化；另一方面，藝術(shù)圖像的觀念化愈加發(fā)展，從馬塞爾·杜尚《小便池》的達(dá)達(dá)觀念，到安迪·沃霍爾的波普思維，對現(xiàn)實場景及圖像的顛覆與再塑造為藝術(shù)圖像的生成提供了新路徑。如同攝影技術(shù)中的“失焦”一樣，藝術(shù)創(chuàng)作抽離出某種客觀世界的模樣，或許也是另一種維度的審視，并且有其自身的意義。“失焦”于現(xiàn)實生活與經(jīng)典圖像，藝術(shù)家邢彥超正從他所“聚焦”情境中發(fā)現(xiàn)了新的可能，于此踐行了他水墨繪畫藝術(shù)中的圖像結(jié)構(gòu)再造與隱喻世界構(gòu)建。  IMAGERY DIVERGENCE 圖像的縫隙 Artist|藝術(shù)家：Xing Yanchao 邢彥超 Curator| 策展人：Li Shutian 李書天 Producers|出品人: Zheng Xinyan鄭信彥/Li Ming李銘 Academic hosting|學(xué)術(shù)主持：Zhang Qibin 張啟彬 Chief Art Supervisor|藝術(shù)總監(jiān)：Ji Yongjie 吉永潔 Visual Supervisor|視覺總監(jiān)：Wang Xiangrong 王向榮 Coordinator |展覽統(tǒng)籌：Guo Wenchao 郭文超 Exhibition copywriting|展覽文案：Wang Ying 王穎 Exhibition Promotion|展覽推廣：Li Panli 李盼麗 展期：2019.05.26-06.20 Address|展覽地址：101 Dongqing Street, Zhengzhou City鄭州市冬青街101號 Space|展覽空間：101 Art Space一O一藝術(shù)空間 Host unit|主辦單位：Henan PrintStar Art Culture Ltd.河南印之星文化藝術(shù)有限公司 Co-Sponsors|協(xié)辦方：中國設(shè)計網(wǎng) CND / 印之星印務(wù) PrintStar Art Culture Ltd. |
